A number two US chart hit for Marvin Gaye, “What’s Going On?” was a departure from his previous Motown sound into a more personal and introspective direction. Inspired by the rising tide of racial and social unrest in the United States in the late Sixties, and more personally by events like the death of Gaye’s cousin (a soldier in Vietnam), “What’s Going On?” was a plea to everyone to just stop and take a look around at the world, and to ask themselves why it was like that.
The song was nominated for two Grammy awards, and ranked by Rolling Stone Magazine as number 4 on the “500 Greatest Songs of All Time” in 2004, and again when the list was revised in 2010. They may actually have been under-rating it.
It’s hard not to think that something may have gone wrong with the American justice system at times. For example, when several police officers (Stacey Koon, Laurence Powell, Timothy Wind, Theodore Briseno, and Rolando Solano) are caught on video beating a suspect, when those same police officers are later heard boasting about the injuries they dealt out, well, you’d expect that convicting them of the crimes that they very clearly committed would be a straightforward matter.
Unless, of course, all the cops were white while the suspect was black. Unless the jury consists of ten whites, an Asian and a Hispanic. Unless the trial is held in a jurisdiction notably more conservative than the one where these events took place. Then the complete acquittal of all four officers should be expected as a matter of course, because as we all know, justice is less important than the good name of the Los Angeles Police Department, and anyway, Rodney King must have had it coming, right?
So later that day, after the verdict is announced, these same police officers and jurors claiming to be stunned that anyone could possibly disagree with the verdict is completely believable. If you’re an idiot, that is.
The riots in Los Angeles (which lasted a week and caused 53 deaths, a thousand injuries, somewhere in the region of a billion dollars worth of property damages and kicked off sympathetic riots in other cities), while not in any way justifiable, were certainly both an understandable and a predictable response.
Anger — Downset
I Wanna Riot — Rancid
Rioting — The_Rugburns
Recipe for Hate — Bad Religion
Livin’ on the Edge — Aerosmith
Don’t Pray on Me — Bad Religion
Say Goodbye — Black Eyed Peas
April 29, 1992 (Miami) — Sublime
Black Tie White Noise — David Bowie
The Day tha Niggaz Took Over — Dr. Dre
Forgotten (Lost Angels) — Lamb of God
Down Rodeo — Rage Against the Machine
We Had to Tear This Motherfucka Up — Ice Cube
Peace in L.A. — Tom Petty and the Heartbreakers
Stuck Between a Rock and a White Face — One Minute Silence